![]() Its variation that makes sounds interesting. In Abyss you can simply surf through a panel with more than 2000 tone-colours. Navigating through endless lists of weirdly named sounds is not always fun. Of course there is a virtual analogue filter, but there are also controls to shape tone colours in unheard ways. The sound engine of Abyss combines the rich and deep textures of natural sounds with the effective flexibility of classical synths. In Abyss different sounds are represented by different colours – a whole new way to design sounds. ![]() Not by coincidence, it is called tone-colour. Whether you describe sounds or colours – you use similar words like warm, cold, dark, soft or energetic. Tweak, mangle, modulate your sound to sonic madness or create sensible, nuanced MPE instruments. This is paired with a modulation system that is as powerful as it is simple to use. The tone colour approach provides a simple way to create complex sounds. With Abyss you find instant inspiration for your music and sound design projects. It brings to you dark, vibrating drones, vivid cinematic pads and rich evolving textures. Abyss is a visual synthesiser with character and a bit of fairy dust.
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